Tag Archives: chomu press

‘Nemonymous Night’ and Clacton-on-Sea

This novel by DF Lewis was published by the acclaimed Chomu Press in 2011. It has something to do with Clacton-on-Sea in Essex, where the author has lived for 20 years.
Now Clacton is about to go BIG. Possibly not as big as the novel itself, though.

The text on the original back cover of the book:

You have been suffering with dream sickness, and a Hawler has suggested you take the sea air for a rest cure. Perhaps you have been strolling along the promenade by the sands of Clacton-on-Sea, wondering whether your life is a dream, and if so, whether it is a real dream, or merely a dream of a dream. You put your face in the space of a seaside cut-out board and on the other side you see… a giant carpet in the wild spiral of a tornado burrowing into the earth, the weave of its multidimensional design revealing the capering of carpet apes, the things that haunt ceilings, the places where poultry becomes meat… You remove your face and find yourself back in the same day as before, with both sides of the cut-out board the same dream or unimaginable reality. But now you and everything else have together become completely nemonymous.
For the full treatment, insert your face in the space of Nemonymous Night by veteran Weirdmonger D. F. Lewis. Let the captain of this earthcraft take you from the left foot of man-city to the nemo of the ‘no me’. On a guided tour of the under-carpet of Inner Earth, decide for yourself if Greg is Greg or really Mike, if Beth is actually Susan, what it is the Hawler does to cure the dream sickness, and whether Mike or Susan might, in fact (or fiction), be you.

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Some Favourite Recent Skylines







The ultimate skyline by Heather Horsley – this novel ‘Nemonymous Night’ by myself was published exactly three years ago by Chomu Press. I have just picked it up to read it and pretending that I have never read it before! And it feels as if I haven’t! It’s coming up completely fresh and dare I say I am enjoying it? It’s been on a slow fuse since June 2011. At least I hope it’s a slow fuse and not a dead or dying one like that to the firework display for the launch of the Jules Verne Drill told about in the novel itself! (The novel’s few reviews here.)

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Blue Without Event

Today’s photo taken this morning:
NEWS: Substantial article on Chômu Press: http://www.schlockmagazine.net/2014/04/15/schlock-talks-chomu-press/

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The Face Corner, The Unwanted Stairway Collecting In A Weak Eddy


“Unseen or at least unremarked, I orbit the camp. That’s what I want: a place in which I have no part. I want to ride through space like wind in wind and sleep on the void, and be a go-between with nothing but between. I only know useless knowledge. The camp spins there to one side of me like so many floating candles collecting in a weak eddy. What I feel inside myself is fierce and calm; it’s a ruthless desire for an immortality of perfect weakness where I can be a tirelessly efficient functionary turning things over from one end of the message circuit to the other and back again, so that I never stop going back. As long as I’m going back, logically speaking, I yet won’t be back, only now am I getting under way. No one sees you while you’re in transit and the moment you arrive is the moment you have to turn around and leave again, provided there is some return correspondence, and even if there isn’t, it doesn’t matter, because there’s nothing to do but wait for some other message which will sooner or later have to go out and take you along with it.”
— From MEMBER a novel by Michael Cisco published by Chomu Press in 2013. This is to be added to my favourite quotes, first quoted in my review of MEMBER here.

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Rustblind and Silverbright – Cover and a Launch Event that Must Not be Missed

I am planning to attend this event on 4th July – a rare occasion when I am to be allowed out by Tarr and Fether to meet some of my favourite authors…

Rustblind and Silverbright – Cover and a Launch Event that Must Not be Missed.

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Jane’s Cover Just Released

Cover artwork by Nimit Malavia.

Author: PF Jeffery

Publisher: Chômu Press

My earlier view of this novel series.

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Real-Time Regained

“Click on this image for my Real-Time Reviews: supporting the known and unknown authors of good imaginative literature in a ground-breaking leitmotif / gestalt fashion from Nov 2008 to Oct 2012.”

That’s something I wrote on my site last October, having decided to retire, around the age of 65, from what was becoming an onerous, if enjoyable and hopefully altruistic, task.

Having conducted, in recent days, this experiment in real-time reviewing of Nicholas Royle’s FIRST NOVEL and QUILT, I am having a ‘second wind’. I must have passed through this  marathon ‘wall’!

For this purpose, I have pre-ordered WHITSTABLE (Spectral Press) by Stephen Volk, TALLEST TALES (Eibonvale Press) by Rhys Hughes, JANE (Chômu Press) by PF Jeffery, DEHISCENCE (Ex Occidente Press) by DP Watt and THE LAST GOLD OF DECAYED STARS (Ex Occidente Press) by Colin Insole – and I intend to resume my regular RTRs of future editions of BLACK STATIC (TTA Press) and THEAKER’S QUARTERLY FICTION and anything else that catches my eye, but please remember I continue not to accept free review copies of books.

Eventually these new RTRS will be listed and linked here.

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Novel Doodlings


A doodling from a novel I’m enjoying at the moment, Lewis holding a chicken leg, the others killing a chicken:

“…I encounter Lewis. He has a shaved head, which he may think disguises his male-pattern baldness,… […] His moon-like face is given a certain definition by strategically trimmed facial hair. […] …while their heads became distended, like rugby balls hovering above their shoulders.”
— from FIRST NOVEL by Nicholas Royle (Jonathan Cape 2013, pp 20-28)

Please see comments below for anything more about this.


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Chômu Press Interviews Me


Those who subscribe here to Chômu Press’s news-update emails may receive a brand new interview with me.

Don’t take my word for it but find out there why Tendring is now Trending.

<<An interview with author, publisher and legendary weirdmonger, D.F. Lewis, of whom Rhys Hughes has said, “The simple truth of the matter is that after Lewis is dead he’ll get a blue plaque on his house. Most other writers won’t.”>>

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Growing Sculpture

Some sort of growing tree-like ‘sculpture’, encountered on my walk this morning in Holland-on-Sea:

The Hedge in ‘Nemonymous Night’?

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Hawling in John Cowper Powys

A quoted passage discovered today in ‘The Glastonbury Romance’ (1933) by John Cowper Powys which might show an early form of hawling: 

“For the last month the tin had been pouring forth with such a steady flow that Philip’s spirits had mounted up to a pitch of excitement that was like a kind of diurnal drunkenness. He dreamed of tin every night. The metal in all its stages began to obsess him. He collected specimens of it, of every degree of weight, integrity, purity. He carried bits of it about with him in his pocket. All manner of quaint fancies — not so much imaginative ones as purely childish ones — connected with tin, kept entering and leaving his mind, and he began to feel as if a portion of his innermost being were the actual magnet that drew this long-neglected element out of abysses of prehistoric darkness into the light of day.
Philip got into the habit of walking every day up the steep overgrown hillside above Wookey and posting himself in the heart of a small grove of Scotch firs from which he could observe, without anyone detecting his presence, the lively transactions at the mouth of the big orifice in the earth, where the trees had been cut away and where the cranes and pulleys stood out in such startling relief against the ancient sepia-coloured clumps of hazel and sycamore, still growing around them upon the leafy slopes. Here he would devour the spectacle of all this activity he had set in motion, until he longed to share the physical exertions of every one of his labourers, diggers, machinists, truckmen, carters, stokers, miners, and haulers.”

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Chômu Megazanthus ExOccidente InkerMen

Two of my bookshelves with my collections of Chômu, Megazanthus and Ex Occidente books (plus four from InkerMen) – plus some closer looks in comments below:


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Three BFS Award Winners 2012

All my real-time reviews for CHOMU PRESS books ab initio: https://nullimmortalis.wordpress.com/2011/02/17/my-chomu-press-real-time-reviews/

All my real-time reviews for BLACK STATIC issues: https://nullimmortalis.wordpress.com/2010/09/25/tta-press-my-real-time-reviews/

My massive real-time review during Autumn 2011 of the VanderMeers’ massive THE WEIRD:  https://nullimmortalis.wordpress.com/2011/11/16/df-lewiss-real-time-review-of-the-vandermeers-massive-the-weird/

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Good Enough To Eat?

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A rare review

Pleased to discover today a rare review of ‘Nemonymous Night’ (Chômu Press) posted early April:

“D F Lewis has created his own blend of fantasy, sci-fi and strangeness… […] Perhaps that was the scariest thought of all – that my world was actually merely a construct and somehow by reading this book I had stepped in D F Lewis’s world and couldn’t go back.”


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Prince November’s Quandary

Having just completed real-time reviewing the fiction anthology DADAOISM (Chômu Press 2012), I have distilled my own symbol from the gestalt of its contents.

I now have the residual Autumn years of my life – however few or many – to decide which is the greatest anthology of all:



the VanderMeers’ massive ‘The WEIRD’ that I obsessedly real-time reviewed during November 2011: Inter alia, I said then: “The best Weird fiction can touch and tantalise you strangely, darkly, poignantly, humorously, grotesquely or with deathly finality, but, also, mellowly and fruitfully, because, from the very experience of reading it at all, one never quite reaches the winter beyond the autumn in the way that you once reached the autumn beyond the summer.”


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Vers La Flamme

 Dadaoism (An Anthology)

Extract below from my Real-Time Review of DADAOISM (Chômu Press):

11 ‘Testing Spark’, by Daniel Mills
“A world in readiness: all awaits the Tester’s Spark, the nudge of the First Mover.”
[Today* happens to be the very day when the Olympic flame (the 2012 Olympic Torch shown on the left) officially passes from the hands of the Greeks to the ‘London 2012’ group (how ironic bearing in mind the cataclysmic repercussions of the catastrophic Greek Politics at the moment and our fears in UK of financial contagion!)] This story has this essence of a torch-bearing, flame-transferring trope mingled with, I guess, religious Eucharist wafers within a ’Machine Stops’ (EM Forster’s 1909 Internet story) type ’factory’ scenario where the Web moves “vers la flamme” (the title of a piece of music by one of my favourite composers, Scriabin (explicitly mentioned in this story by name), whose music I have loved more than most other music for many years). As well as the unrequited love aspect that is in tune with the rest of this book, this story harvests some of the music-steeped cosmotechniks of the Isis story while being briefly seasoned with Lovecraft references. The story also stands wonderfully on its own as a work I shall need to re-read in the future to ensure I have fully understood its vision. “He returns to his workstation and settles into his chair. He glances at the computer clock.” (16 May 12 – 7.00pm bst)

*In fact, the actual ceremony is today in Greece where David Beckham, Boris Johnson, the Princess Royal et al collect the Greek flame and, via torches that look like the design of words on this book’s cover, bring it back to us in the UK – without there being any quarantine for the flame whatsoever, I note! [ I also confirm, as is stated on Wikipedia, that I was instrumental in forming the Zeroist Group at Lancaster University in 1967 (for which group a University grant was received). One of the group’s manifesto aims was a sort of belief regarding Dadaism, i.e. bringing Art back to zero or 0 – and starting off in an unknown new direction. O the idealism of youth!] (17 May 12 – 7.45 am bst)

As those who have read my previous real-time reviews already know, I try to pay no prior attention to anything published outside of the book’s fiction itself – but I often do pay attention to the shape and style of the book itself while conducting any review, and some of the themes in this very book point to that importance. You will be reading a different ‘book’ if you read an ebook version of it, in other words. That’s not a value judgement comparing the two formats, merely a fact to be taken into account according to your individual tastes. For example, I couldn’t help noticing in my email in-box that a recent Chomu announcement referrred to this book as a ‘butterfly’. Could the front cover be intended as the huge wings of a butterfly rather than the ‘concrete poem’ (cf the book’s flesh poems) or the Olympic torch ideas that I had been toying with? And that brings me back to the Intentional Fallacy (something I’ve been interested in since the 1960s)… (18 May 12 – 7.45 am bst)


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Clarke Award (2)

Chomu Press have written today an interesting comment about the Christopher Priest controversy on their Facebook page.

I made it no secret in various places over the last few weeks in public that I considered their publication of HERE COMES THE NICE by Jeremy Reed as the novel that should win.
In fact, before I knew it was on the Clarke Awards longlist, I publicly listed it as my favourite novel of 2011.


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BSFA – Clarke Awards

‘Nemonymous Night’ has been mentioned in this shortlist competition:

and two other Chomu Press books

Although my novel is one of the works mentioned, I can’t imagine any book at all beating HERE COMES THE NICE for best novel of 2011 (literary or genre). Best novel of the decade, I’d say!

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Dadaoism (An Anthology) – Coming Soon



1 ‘Portrait of a Chair’, by Reggie Oliver

2 ‘Autumn Jewel’, by Katherine Khorey

3 ‘Visiting Maze’, by Michael Cisco

4 ‘The Houses Among the Trees’, by Colin Insole

5 ‘Affection 45′, by Brendan Connell

6 ‘M-Funk Vs. Tha Futuregions of Inverse Funkativity’, by Justin Isis

7 ‘Spirit and Corpus‘, by Yarrow Paisley

8 ‘Timelines’, by Nina Allan

9 ‘Jimmy Breaks up with His Imaginary Girlfriend’, by Jimmy Grist

10 ‘Body Poem’, by Peter Gilbert

11 ‘Testing Spark’, by Daniel Mills

12 ‘Noises’, by Joe Simpson Walker

13 ‘Romance, with Mice’, by Sonia Orin Lyris

14 ‘Grief (The Autobiography of a Tarantula)’, by Jesse Kennedy

15 ‘Orange Cuts’, by Paul Jessup

16 ‘Instance’, by John Cairns

17 ‘Kago Ai’, by Ralph Doege

18 ‘Fighting Back’, by Rhys Hughes

19 ‘Nowhere Room’, by Kristine Ong Muslim

20 ‘Koda Kumi’, a Justin Isis re-mix of ‘Italiannetto’ by Quentin S. Crisp

21 ‘The Lobster Kaleidoscope’, by Julie Sokolow

22 ‘The Eaten Boy’, by Nick Jackson

23 ‘Poppies’, by Megan Lee Beals

24 ‘Abra Raven’, by D.F. Lewis

25 ‘Pissing in Barbican Lake’, by Jeremy Reed

26 ‘Rock ‘n’ Roll Suicides’, by Jeremy Reed


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