Tag Archives: christopher priest

Versionary Science Fiction

[The adjacent book shown above is ‘First Novel’ by Nicholas Royle which I reviewed here.]

My real-time review of THE ADJACENT by Christopher Priest (Gollancz 2013) was completed about half an hour ago and started HERE a few days before.

Meanwhile, is this the first time that such fiction has been dubbed Versionary SF?

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Two books recently received…

…purchased via Amazon to read and hopefully review:


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My reading-lifetime’s Hall of Fame

Image by Tony Lovell (2011)

My reading-lifetime’s Hall of Fame in no particular order:

Charles Dickens, Christopher Priest, AS Byatt, Enid Blyton, May Sinclair, HP Lovecraft, Barbara Vine, Reggie Oliver, Anita Brookner, WG Sebald, Jeremy Reed, Ian McEwan, Elizabeth Bowen, Stephen King, Oliver Onions, Marcel Proust, Salman Rushdie, Glen Hirshberg, Paul Auster, Mark Valentine, John Fowles, Edgar Allan Poe, John Cowper Powys, Lord Dunsany, Algernon Blackwood, Jack Vance, Philip K Dick, Jeff VanderMeer, Samuel R Delany, Anthony Burgess, Susanna Clarke, Rhys Hughes, Lawrence Durrell, MR James, Robert Aickman, Sarban, Ramsey Campbell, Thomas Ligotti, Tommaso Landolfi, Kazuo Ishiguro, Quentin S. Crisp.

This is a list including writers I once considered in my Hall of Fame but now rarely read, and new writers whose works I read quite a lot and have included in my Hall of Fame fairly recently and variations upon that, but all have been major reading experiences some time in my life.  Apologies to those I’ve inadvertently omitted because of my semi-Proustian memory.


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Clarke Award (2)

Chomu Press have written today an interesting comment about the Christopher Priest controversy on their Facebook page.

I made it no secret in various places over the last few weeks in public that I considered their publication of HERE COMES THE NICE by Jeremy Reed as the novel that should win.
In fact, before I knew it was on the Clarke Awards longlist, I publicly listed it as my favourite novel of 2011.


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Hull Scunthorpe

Nobody, except me, a few days ago – and possibly Christopher Priest himself – have appreciated that his dawn raid against the Clarke Award is a version of the Sculthorpe Earth Cry from the Islands: self-referentially linked by me here: http://weirdmonger.blogspot.co.uk/2012/03/sculthorpe-earth-cry.html

The Earth Cry effectively features in one of the sixty longlisted novels that was not even read. Unread, inferentially, you see, as they got its title wrong on all the public lists.

Is this just another crazy blog or what?


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Clarke Award

Interesting take by one of my favourite writers – Christopher Priest – on the Clarke Award short list. (My novel ‘Nemonymous Night’ was on the original list of sixty): http://www.christopher-priest.co.uk/journal/1077/hull-0-scunthorpe-3/

Thinking about it further on a personal level: I’d be happy with any resultant shortlist if I thought all those creating the shortlist had read thoroughly the sixty novels on the original long list. Mr Priest, too, when criticising the short list.
As to ‘Nemonymous Night’ – this is Jules Vernian-SF – and I’d be happy if it had several fair but bad reviews. Then I’d know where it stood. No fault of anyone, but it has only had a few reviews: (linked from here: http://nemonymousnight.wordpress.com/reviews/ for reference), the first being a 5 star Amazon review from a respected Amazon reviewer. One of the others was tentative at worst, the other three fairly enthusiastic at best.
But very few people seem to have actually read it. I hope I’m not tempting fate, but, with this comment, I hereby encourage into the public domain all those fair but bad reviews harbouring in readers’ or critics’ hearts, rather than just a handful of fairly good reviews it has received so far.
Revie(w)’s Leeds United 0 Colchester United 4.
Meanwhile, I admire Priest’s Hull/Scunthorpe article. I know he didn’t write it for this reason; but his work is a league above all of us.
My own take on his ‘The Islanders’ last September:


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‘The lslanders’ by Christopher Priest

Gollancz – 2011

I have long been an enormous fan of the fiction of Christopher Priest.

I am about a quarter through this new novel.  Although this ‘review’ is a not a classical DF Lewis ‘real-time review’ as such, I do intend to give my final comments when I finish this entrancing work – on this page below.  Meantime, it is a book that would lend itself to this real-time approach very readily, I guess, but it’s merely contrariness on my part that encourages me not to move along that obvious grain in this physical paper hardback. 

It seems to be a piecemeal ‘Gazetteer’ of Priest’s Dream Archipelago – whereby my normal stated method of forming a ‘gestalt’ (a word with an uncanny comparison with the word ‘gazetteer’?) from the ‘leitmotifs’ of the text (as they evolve in real-time) is exactly the required method by dint of this text’s nature, i.e. its cumulative formulation of some ‘paintings’ of meaning in mystery-craquelure like fiction-music or fiction-geography / geomancy within ‘dream sickness’?? (Cf ‘Nemonymous Night’ and ‘Weirdtongue’) etc etc.  These are my current speculations and my peremptory expressions rather than the book’s – and ‘dream sickness’ has not been mentioned so far…. testing the real-time water of this ‘in media res’ reading-process.

Island-hopping meaning… 

I shall need to say more later. But this book is promising to be a work of sheer genius at this stage.

NB: My 2007 comparison of CP’s ‘The Affirmation’ with TV’s ‘Life on Mars’ here: https://nullimmortalis.wordpress.com/2010/08/09/life-on-mars/ 

Up to the point I’ve reached in ‘The Islanders’, we learn of a female character who has written a novel called ‘The Affirmation’… (24/9/11)

 –> page 149: Cf: the TV series ‘LOST’ and tunnelling as the ‘hawling’ in ‘Nemonymous Night’. (26/9/11)

—>page 167: Drones (or Google Earth ‘crabs’??) mapping the book itself as well as its inner and outer geography: like ‘real-time reviewing’ or mapping a multi-authored anthology or archipelago (of stories) or author collection or a patchwork novel or a ‘pattern of islands’.  Here we are formulating a murder mystery and romantic ‘blind spots’ in the territory of this ‘roman littoral’.  I sense this is to be a major work when it is completely read, halfway as I currently am within its whole length and within the length of the current long ‘chapter’ (each chapter an island in itself (each about a dream island) or a series of seas between my own islands of thought?)… (27/9/11)

–>page 226 – As a readerly aside, I have been reminded that, many years ago, I visited Sark that has a La Seigneurie, An Island with intrinsic Islandness or Islandicity.  Trapped in its own fiction world. My tale written on that Sark holiday with my wife was published in Chaosium’s ‘Song of Cthulhu’: Fall From Grace.  Meanwhile, Priest’s ‘Islanders’ makes me think that I have badly missed Priest’s work in the last few years without realising it. 

[For the last 17 years, I have lived on the coast of the Tendring Peninsula, the nearest one can get to a blend of an island and a mainland, I guess.] (28/9/11)

–>page 286. Astonishing material. Hawling-tunnels, of a sort, and Stephen-Kingian ‘dark towers’ with a ‘dream sickness’. I am determined to finish this great novel today, before it inexorably finishes me in the same period. One of those life-changers. A spoor of traces. The ‘roman littoral’.  (28/9/11 – three hours later)

–>page 339 (end) – Each of the book’s named characters a leitmotif in a geomantic gestalt – completed by Yo (You?) and Oy (I?) [Cf: OY a major character in King (my real-time review of his ‘Dark Tower’)] – as the Wagnerian land is actually made music of by the ‘curse winds’?  The “synchronised shards of random truth & fiction” – here with each shard being a mimer’s plate glass… Or a miner’s or hawler’s.  A wonderful wonderful book. Highly recommended. Romantic, mysterious, aesthetic, geomantic, interconnective, just ripe for a reader like me (Oy) – and you (Yo). An inverse Falklands / Argentina  (Failanders / Archipelagians). Currency: rare and refined words.

“But Meequa was for her an island like a thousand others in the Archipelago, harbouring a seashore mentality, a littoral culture, turning its back on the engine of military intention and strategy that powered the island economies from inland, looking instead outwards to the unmapped seas, carelessly idle in the warmth, languorous under the sun, dreaming in the days.” (28/9/11 – another 4 hours later)


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